ROBERT MORIN in person with PETIT POW! POW! NOËL
2010-11-20
The Big Smash! Film Collective presentsROBERT MORIN in person with
PETIT POW! POW! NOËL
Robert Morin | Canada 2005 | 91min. | Video |
French w/ English Subtitles
Saturday Nov. 20
Doors: 7:45pm
Film: 8:30pm
Filmmaker Robert Morin will be here in person to introduce the films and
host a post-screening Q&A, moderated by filmmaker Denis Côté!
Robert Morin is a video virtuoso, and with his
incendiary, falsely (?) autobiographic yarn, à la YES SIR! MADAME, he punches
us in the gut once more. With nothing
more than a voyeuristic camera and an accusatory voice pacing around an elderly
man in a hospital room, Morin delivers an ultra dense, dynamic, sometimes funny
but mostly disturbing film.
PETIT POW! POW! NOËL is the story of a man (played
by Robert Morin) who visits his dad (André Morin, Robert’s actual father!) on
Christmas with the intent of making him suffer and eventually die for his
crimes against his family. The catch is that whatever torture, psychological or
otherwise, he inflicts on the old bastard, it pales in comparison with the
daily pain and humiliation of having to be fed, washed and get your diapers
changed. Even though the protagonist is
motivated by hatred, the evident loss of human dignity on display makes a
striking pro-euthanasia case. Morin's
movie takes a situation often seen in Québécois cinema, the neglected son who
confronts his father on his deathbed (see: Les
invasions barbares, La vie avec mon père), but here it's devoid of
superfluous flourishes, romanticism or pretension. Petit Pow! Pow! Noël is a thought-provoking, unforgettable
real-life horror tale.
(Kevin Laforest, Montreal Film Journal)
C'est la
nuit de Noël. Caméra dans une main, seringue dans l'autre, un homme pénètre
dans un centre hospitalier de longue durée pour faire le procès de son père et,
éventuellement, l'exécuter. Complications : le vieillard est autiste et le
personnel infirmier, dérangeant. Décompte : le huis clos s'étire sur 24 heures.
Dérive : le justicier en vient à condamner toute sa famille, lui inclus. Finale
: le tête-à-tête avec la mort prend fin autour d'une boîte de biscuits au
chocolat.
Plays with the short film:
THE THIEF LIVES IN HELL
Robert Morin | Canada 1984 | 19min. | Video | French
w/ English Subtitles
A man loses his job and starts falling apart. Phase one: welfare. Phase two: moving to an unfamiliar, cheap and
seedy neighbourhood. In phase three, his neighbours really start to upset his
mental state. Thinking he's hallucinations about the people around him, and to
help himself get back to a normal, banal objectivity, he starts filming his
neighbours discreetly from the window of his squalid room. Once developed, the
film footage – far from reassuring him – drives him from simple confusion into
total psychosis.

DIRECTOR IN ATTENDANCE! Robert Morin has
been enriching the world of Québec cinéma for over twenty-five years with his
penetrating "interior views", each one more striking than the last.
He has, from the beginning, imposed his own style and vision, leaving indelible
marks on the collective imagination.