tl_files/media/images/Film Productions/miskatonic splash.jpgTHE MISKATONIC INSTITUTE OF HORROR STUDIES

Head Office Located at:
BLUE SUNSHINE FILM CENTRE
3660 St. Laurent Blvd, 3rd Floor
Montreal Quebec / 438-380-5869

The Miskatonic Institute of Horror Studies is an organization that offers a variety of theory and production-based workshops for youth aged 14-29. Statistics show that teenagers account for a healthy portion of horror film audiences, much to the chagrin of parents who would rather their kids steer clear of the genre. Often critically disdained, the horror genre is associated in many people’s minds with misogyny, superfluous violence, poor writing, and worse acting. But there is a lot more to horror films than meets the eye - and at such an impressionable and media-saturated age, it’s important for teens to be given the tools with which they can become responsible viewers. In Miskatonic courses, they'll get to see rare scare films with a group of like-minded fans, as well as the chance to connect with horror professionals who can help them on their way to a career in the world of horror films and fiction.

The Miskatonic Institiute of Horror Studies is a structure through which established horror writers, directors and programmers/curators can offer their experience to a young generation of horror fans through workshops and masterclasses. In addition to the bricks-and-mortar school, which is housed at the BLUE SUNSHINE FILM CENTRE on St-Laurent in Montreal, Miskatonic courses are also available on-demand, in any city. Instructors come from across Canada (sometimes including visiting guest instructors from other countries) and are available to offer courses in their own city, or to be brought in to teach a course in another city or remote area. For more detail about courses and instructors available, email Kier-La Janisse at bigsmashproductions@gmail.com.

“It feels incredibly good to discuss these things with people that care, which just reminds me how much I love learning about new things. I wish college was like this.” – Ariel Esteban Cayer, Miskatonic Student, aged 17

 

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Stuart Gordon and Dennis Paoli teaching the masterclass ADAPTING H.P. LOVECRAFT FOR THE SCREEN at Miskatonic in July 2010. More pictures HERE.

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CURRICULUM + REGISTRATION

Miskatonic begins weekly classes in fall of 2011, with the occasional weekend class by visiting instructors. Classes may require reading or viewing homework. The 2011 fall semester lineup will be announced in mid-August 2011.

Students can register for individual classes, or can pre-register for an immersive year-round curriculum (October-April). Curriculum may vary from year to year.

 

THE FANTASIA SCHOLARSHIP

Sometimes the youth who would get the most out of these courses are deterred by the professional registration fees. This is where Fantasia has stepped in to help! Fantasia offers five scholarships per school year (October-May) to would-be participants who are unable to cover the costs of yearly registration. To apply for the Fantasia Scholarship you need to be between the ages of 14-29 and be willing to fill out the one-page application form available for download on the Miskatonic website. To apply for a scholarship, download and fill out the form HERE and email the completed for to bigsmashproductions@gmail.com.


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Founder Bio:

Kier-La Janisse is a writer and film programmer who co-founded Blue Sunshine, Montreal's Psychotronic Film Centre. She has programmed for the Alamo Drafthouse Cinema in Austin, Texas, founded the CineMuerte Horror Film Festival and the Big Smash! Music-on-Film Festival (both in Vancouver) and was the subject of the documentary Celluloid Horror (2005). She has written for Filmmaker, Rue Morgue and Fangoria magazines, has contributed to The Scarecrow Movie Guide (Sasquatch Books, 2004) and Destroy All Movies!! (forthcoming from Fantagraphics), and is the author of A Violent Professional: The Films of Luciano Rossi, published by FAB Press in 2007. Currently, Ms. Janisse hsa just completed a new book about female neurosis in horror and exploitation films entitled House of Psychotic Women.

For more information about the Miskatonic Institute of Horror Studies, email Kier-La Janisse at bigsmashproductions@gmail.com
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creed

Miskatonic Institute: THEORIZING HORROR

2012-02-22, 2012-01-18 - 2012-02-22

This six week course will examine the recent history of horror theorizing starting in the early-1980s through some of the most influential writings on the genre. From Linda Williams’ essay on women and looking, Barbara Creed’s monstrous-feminine, Tania Modleski’s terror of pleasure, Carol Clover’s final girl, Steven Shaviro’s cinematic bodies, through to Cynthia Freeland’s dread-centred experience of horror, this course will discuss these genre theorists in conjunction with the “major” thinkers that influenced them, such as Sigmund Freud, Julia Kristeva, Karl Marx, Laura Mulvey, Gilles Deleuze, and Nöel Carroll. Every session will be taught by a different instructor. A film screening will accompany each session.

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william castle

Miskatonic Institute: SCARING THE DAYLIGHTS OUT OF YOU: THE FILMS OF WILLIAM CASTLE

2012-02-29, 2012-02-29 - 2012-03-14

An icon of B-movies and master of marketing stunts, William Castle has left a lasting impact on the horror film industry. This course takes a look at Castle’s body of films and their historical relevance as well as the various gimmicks that made him the legend he is today. / Un véritable maître des coups de marketing, William Castle a marqué l’industrie du cinéma d’horreur dans les années 50 avec les nombreuses ‘attractions de foire’ créées afin de maximiser l’effet de ses films. Ce cours étudiera l’influence de ses œuvres ainsi que l’héritage qu’il nous a laissé.

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vincent price

Miskatonic Institute: THE HORROR FILMS OF VINCENT PRICE

2012-03-24, 2012-03-24 - 2012-03-25

A classically trained, consummate character actor with a career spanning seven decades on stage, screen, television and radio, Vincent Price is perhaps best remembered as one of the world’s most beloved horror icons. Cinephobia Radio’s Stuart Feedback Andrews will take us on a two-day journey through the history of Vincent Price’s life and career. Armed with an arsenal of film clips, slides, interviews and a couple of surprise guests, we’ll examine Vincent’s evolution as a horror legend.

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angel

Miskatonic Institute: TERROR AT THE MARGINS: THE PROSTITUTE AS OTHER

2012-04-04, 2012-04-04 - 2012-04-25

The figure of the prostitute has long been depicted (and understood) to be unfeminine, irredeemable and polluting – a source of corruption and contagion. Thus, she becomes a monster — both in terms of fears about women’s sexuality and assumptions about ‘natural’ or ‘normal’ gendered behaviour. This course will parallel the extreme treatment of, and presentation of, the Monster in films with the representation of prostitutes and sex workers. This juxtaposition makes the underlying cultural constructions and fears at play in both contexts both more complicated and compelling.

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